Andrew Dominik grabbed my attention quite forcefully with Chopper over a decade ago. I was fairly obsessed with that film for a good long w...
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Andrew Dominik grabbed my attention quite forcefully with Chopper over a decade ago. I was fairly obsessed with that film for a good long w...
This is the podcast I've been waiting to do since I got in the podcast game. The Wayne Gale Variety Hour Episode 2 is here ! Danno and ...
I am elated to announce the debut episode of my new podcast, The Wayne Gale Variety Hour ! This show is the brainchild of myself and my goo...
It goes to show you how malleable a thing expectation can be, especially when it comes to film. I recently bemoaned being compelled to see...
Taxi Driver has evolved into many different films to me over the 20 years I've been studying it. I first became aware of it from seeing...
I just finished reading The Monster Show: A Cultural History of Horror by David J. Skal and was so captivated, I decided to flip back to th...
You know what's great? Hostel: Eli Roth's 2005 paean to the exploitative impulses inherent in the ignorant and entitled American mal...
I just finished watching the Criterion Collection Bluray of Lars VonTrier's Antichrist. I read the Ian Christie essay and watched most ...
It's been a while since I made an entry in the favorite films series (having a hell of a time finishing off those last 2!). In honor of ...
In the last couple of weeks, I've revisited what I believe to be the 2 most important American films of the new millennium. The Assassin...
There are a great deal many reasons why Splice is such a breath of fresh air to theatrical horror. It's devoid of insipid, superficial t...
My five favorite films are as follows (in no particular order): Natural Born Killers, The Texas Chainsaw Massacre, Hellbound : Hellraiser 2...
I went and saw the remake of Romero's The Crazies today. Having thought the original was a meandering, pointless stop-gap between NOTLD...